back to the 1920s

ive traced my roots in photography, to the 1920s i think. my values seem to revolve around people like the dadaists and rusian constructavists and surrealists more than

the new traditionalists of today. while some of my contemporaries seek untouched lands they can transform into an emotion filled black and white or color terrestrial view, or a portrait that shows honesty, i have veered left into what has been a fun ride.

while i enjoy looking at terrestrial views and i love making portraits lately, at least i have found a new interest in sketching ( doodling? ) on paper and transfering that drawing onto hand made photo paper.

the drawing is made on regular old thin xerox/copy paper, and waxed with paraffin to make semi translucent. the receiver paper is made with an under coat of hand made emulsion ( see previous posts ) and a top coat of foma liquid emulsion …  they are not developed out in the darkroom but left in the sun so the image on the paper burns itself into the photo paper

the dark image with white lines is then scanned and sometimes inverted, sometimes left as is, and color added to give the image dimension. in my days learning how to render and architectural drawing this would be like doing a sketch and adding watercolor to the top.

 

enough talking about it …

here is one i did recently  ..  another is being exposed as i type this ..

 

tinted in ps
sketched, waxed printed

Author: jnanian

I am a Freelance Photographer in Rhode Island. I make photographs using a variety of methods with and without a camera, and I teach photography online and in person. I make photo emulsions from scratch, I coat my own photo paper and make cyanotypes too. I am a huge fan of Caffenol ( I helped write the Caffenol Cookbook ) and instead of instant coffee, I roast my own Sumatra Robusta beans. I sell them so you can make your own long lasting, film and print developer called Sumatranol. I also sell silver recovery products.