a few hand tinted images
first .. i probably have said this or explained my “terminology” if i add colors by hand with paints &c i call the images hand painted, but if i
Category: technique and style
how do you do that?
quebec sun prints
a few summers ago i went to quebec i have wanted to make prints from the digital files, and the other day i finally got a chance to do it. the
difference between lenses and images
there are all sorts of lenses. some are meant to be sharp and corrected and some are not. the ones that are not are usually soft focus lenses, which were made
electric midnight blue
working on a new project i am going to call electric midnight blue it uses a varient of the sunprints i have been making these images were all made today in overcast
contact sheets
aside from sending rolls of 110 or 127vp to the local drug store or fotomat, or mail away to yorks i processed my own black and white film. when i was
TMY retina image
as i have been making long exposures again here is another one on kodak tmax 400 film this is a very long exposure, reversed negative tweeked levels and color removed and then
cyclone negative cyanotype
a couple of days ago i was making some more cyanotypes i loaded up some contact frames with waxed negatives to see if i could get a better print than i did
the honey jar
there is a bee keeper on the other side of town i like to buy honey from. i usually drive down his drivewaywhich looks like it isn’t really there from
making color where there is only black and white
i’ve been toying with tri chromes, or tri chrome-esque photographs for a few years now. i first learned about trichromes after reading and seeing the photographs made by the russian photographer
Continue reading…making color where there is only black and white
waxed field and photograms
another from a recent slew of waxed negative cyanotypes one of the last coated papers from the winter/spring when i coated and coated to use up my sensitizer. the paper
straight, untinted, unpainted cyanotypes
been making more cyanotypes lately … and have been using paper that is probably gettng close to being dead. it takes a long while to make exposures, and sometimes the color
emulsive
i thought i posted a link to this but i guess it got away from me. i was interviewed by emulsive.org a little while ago about film and emulsion and
hand tinted
this is a hand tinted image of a tree &c down the road from me. it was made with either a 8×10 or 11×14 paper negative, i can’t remember which one,
more recent cyanotypes
if you have been reading my last few posts you probably know i have been making cyanotypes. what happened was i mixed a bunch of cyanotype chemistry and rather than
how you make waxed paper negatives
i’m no expert in this field, i’ve had fun making waxed negatives on and off for a few years. it can be a messy job and it might not work out
