Demolished buildings
I went back to the site down the street and set up in around the same place and rephotographed the demolition site. Trucks had been hauling off the former buildings
Photography, Coffee Developers, and Homemade Cameras
negatives made on photographic paper in a camera instead of film
I went back to the site down the street and set up in around the same place and rephotographed the demolition site. Trucks had been hauling off the former buildings
You could see the sand bar encircling the island. It was a white curved line and if you weren’t paying attention you’d run aground.
It was early in the day, I was walking the path. The sun was in the sky, the water and wind were welcoming me. The path was soggy, it must
I visited the island and was there. I had memories on my mind of past experiences and used a box camera to record the time spent as I walked on
For a few months I have been posting images to my instagram feed that I put (reimagined landscape) in part of the description. I began putting these words next to
well, as seen by my last entry i was able to get it to work a couple of weeks ago so i attempted yesterday to do it again. so inbetween
im back at attempting to making direct postive reversals again. there have been a number of different ways to do these over the years, some use toxic chemistry ( sulfuric
ive traced my roots in photography, to the 1920s i think. my values seem to revolve around people like the dadaists and rusian constructavists and surrealists more than the new traditionalists
just a taste of what i have been doing lately. it includes using a cyclone #3 and empire state … as usual, i have been off the beaten path, i
this first prints were made by a digital overhead transparancy at my local copy shop originally it was a digital files taken in a snow storm at a local park.
its been a while since i made the emulsion i wrote about here but that isn’t to say it hasnt been on my mind since a year ago january. i’ve been
a couple of days ago i was making some more cyanotypes i loaded up some contact frames with waxed negatives to see if i could get a better print than i did
i thought i posted a link to this but i guess it got away from me. i was interviewed by emulsive.org a little while ago about film and emulsion and
this is a hand tinted image of a tree &c down the road from me. it was made with either a 8×10 or 11×14 paper negative, i can’t remember which one,
if you have been reading my last few posts you probably know i have been making cyanotypes. what happened was i mixed a bunch of cyanotype chemistry and rather than