Burning in a difficult print

Have you ever tried to burn in a hot spot in a print but it just wouldn’t stop being as white as your paper’s base?

This happens from time to time, and can ruin your whole day.

When I run into problems like this, I solarize part of the image. I remove the print from the developer about 1/2way through its development. I take a paper towel and dry the print off, and align it under the enlarger. (I have a safelight filter to render the light useless so I can set the print up. ). I use my hands to burn and dodge use whatever you usually use.

You don’t need to burn in the hot spots much, it is just to give some texture to the whites. You put the image back into your developer and finish the process. You will have to experiment with the time you are burning the print.

Sometimes a little goes a long way.

If you have a hydroquinone-free developer, solarization work best with them.

Author: jnanian

I am a Freelance Photographer in Rhode Island. I make photographs using a variety of methods with and without a camera, and I teach photography online and in person. I make photo emulsions from scratch, I coat my own photo paper and make cyanotypes too. I am a huge fan of Caffenol ( I helped write the Caffenol Cookbook ) and instead of instant coffee, I roast my own Sumatra Robusta beans. I sell them so you can make your own long lasting, film and print developer called Sumatranol. I also sell silver recovery products.

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